Phil Morton has 30 years experience in the nature and practice of free improvisation. Pauline Oliveros, Maggie Nicols, Phil Minton, Steve Beresford, Simon H. Fell, Carlos Zingaro are a few important artists he has worked with and influenced his activities.

Since 1997 involvement in Frakture organisation has brought him into contact with hundreds of artists involved in all areas of the creative arts informing his own practice. In 1998 the work of Murray R Schaffer and the concept of acoustic ecology came to Phil’s attention and broadened his interest beyond the boundaries of music and into sound. The act of listening itself now became a key feature of his work. Phil has made presentations at two conferences; designed and led listening-projects;

As a musician he has worked nationally and international